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header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length=&#8221;header_6_text_shadow_style,%91object Object%93&#8243; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength=&#8221;header_6_text_shadow_style,%91object Object%93&#8243; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; z_index_tablet=&#8221;0&#8243; header_5_text_color=&#8221;#030a72&#8243; header_6_text_color=&#8221;#030a72&#8243;]<\/p>\n<h4><span style=\"color: #0000ff;\"><strong>Profile:<\/strong><\/span><\/h4>\n<p style=\"text-align:justify\">Baishali Ghosh\u2019s teaching and research explore migration theories and material culture, investigating the process, production, and circulation of the South Asian imageries.<\/p>\n<p><strong>\u00a0<\/strong><strong>Degrees Held<\/strong><\/p>\n<p>Ph.D., MFA,\u00a0 BFA<\/p>\n<p><strong>Recent Publications<\/strong><\/p>\n<p style=\"text-align:justify\">Baishali Ghosh, \u201cPhoolyar in Mauritius: stamping memory and migration,\u201d <em>Carnets de Recherches de l&#8217;oc\u00e9an Indien<\/em>, Vol.4, no.2, 2019, 61-81,<\/p>\n<p style=\"text-align:justify\">Baishali Ghosh, \u201cSri Govinda Dham: Devotion in Grievance,\u201d in <em>The Contemporary Hindu Temple<\/em> &#8211;<em>Fragments for a History<\/em>, Vol.70, no.4, ed. Annapurna Garimella, Shriya Shridharan and A. Srivatsan (Mumbai: MARG, June 2019),48-59,<\/p>\n<p><strong>Research Interests<\/strong><\/p>\n<p>architecture, material, artistic practice, and migration<\/p>\n<p><strong>Awards And Honours<\/strong><\/p>\n<p>Chancellor\u2019s Award<br \/>\nCharles Wallace India Trust Research Grant, UK,<br \/>\nJawaharlal Nehru Memorial \u00a0Scholarships for Doctoral Studies<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Profile: Baishali Ghosh\u2019s teaching and research explore migration theories and material culture, investigating the process, production, and circulation of the South Asian imageries. \u00a0Degrees Held Ph.D., MFA,\u00a0 BFA Recent Publications Baishali Ghosh, \u201cPhoolyar in Mauritius: stamping memory and migration,\u201d Carnets de Recherches de l&#8217;oc\u00e9an Indien, Vol.4, no.2, 2019, 61-81, Baishali Ghosh, \u201cSri Govinda Dham: Devotion [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/pages\/497"}],"collection":[{"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/comments?post=497"}],"version-history":[{"count":3,"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/pages\/497\/revisions"}],"predecessor-version":[{"id":580,"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/pages\/497\/revisions\/580"}],"wp:attachment":[{"href":"https:\/\/snschool.uohyd.ac.in\/finearts\/wp-json\/wp\/v2\/media?parent=497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}